When the storm of life is raging Lord
Stand by me
When this old world is tossing me like a ship on a raging sea
Stand by me.Will thou, Mary’s baby...Shelter in the time of storm…
-----Charles A. Tindley
In
his opening notes on I Know I’ve Been Changed, the artist known to
millions of devoted fans worldwide as Aaron Neville stands before the
microphone not as a musical legend, but as an ordinary man appealing to
an eternal God. His signature vibrato rises and dips in a musical
prayer full of passion, utterly sincere.
It
is perhaps the most powerful moment on a uniquely moving album---his
first gospel recording since Hurricane Katrina ripped through the city
he cherished, destroying his personal home, and forever altering so much
of the life he knew. Despite
that tragic backdrop, the project plays not as a mournful reflection,
but rather as a hopeful celebration of the three things that have shaped
Aaron Neville most of all---his hometown, his music and his faith.
In
grand New Orleans style, I Know I’ve Been Changed celebrates Aaron
Neville’s 50th year in recorded music. The album brings the artist’s
career full circle, returning him to the music he loved first---gospel
music---and reuniting him with Allen Toussaint, the legendary
songwriter, musician and producer who produced Aaron’s first recording
session in 1960.
Toussaint,
who grew up in a nearby New Orleans neighborhood and attended the same
school as the Neville brothers, has been a frequent collaborator with
Aaron over the years. “Aaron gives the song, the arts, the fullness of
his heart and soul every time,” Toussaint says. “He has always been
that way. It’s good to know that when something is that good, it’s good
forever---the velvet voice of Aaron Neville.”
Producer
Joe Henry and Neville recorded I Know I’ve Been Changed over a period
of five days, using a stripped-down production approach to showcase the
strength of the twelve handpicked songs, as well as the beauty of
Neville’s unmistakable vocals.
In
true old-school fashion, the musicians played along with Neville’s
vocals in-studio to capture the feel of a live set. Arranging and
recording such a large amount of material over such a short period,
required masterful focus and teamwork. “When I go to the gym, I go to
work out. When I go to church, I go to pray. When I go to the studio, I
go to sing,” Neville explains.
To
handle the challenge of that level of performance, the producer
assembled some of the top players. “I call them hard hitters at the
bat,” Neville says. “With them playing, there weren’t too many
mistakes.”
After
four days of working on the instrumentation and lead vocals, Neville
pulled together a group of singers who had worked with him on tour and
in-studio for many years. They followed Aaron’s vibe, creating classic
background arrangements to match the era in which most of the songs were
originally recorded.
“It
was like a labor of love for everybody. They loved all the songs and
they put their all into it,” Neville explains. “It was a fun album,
working with those guys.”
Over
the past five decades, the indelible spirit of New Orleans has been
synonymous with the musical dynasty known as the Neville Brothers. For
Aaron Neville the solo artist, there is an equally intimate connection
between his music and the faith that has sustained him for his entire
life.
“My
Momma, Amelia Landry Neville, always taught the golden rule to us---to
treat others as we would like to be treated,” he shares. “One of her
favorite sayings was this: ‘I’ll only pass this way once. Therefore any
goodness or kindness I can show let me do it now. Let me not defer or
neglect it, for I shall not pass this way again.’”
That
perspective served him well in the months after Hurricane Katrina.
“Right after the storm we’d go places to perform and run into displaced
people from New Orleans everywhere,” Neville reflects. “So when we go
sing we’re singing for them and letting them know they’re not by
themselves. There’s hope.”
The
spirit of New Orleans is marked by an undying hope. On this project
Aaron Neville captures that spirit---reflecting the hope of his
hometown, drawing hope from his faith, spreading hope through his music.
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